Sonntag, 02. April 2023, 22:05 - 23:00, Ö1

DEUTSCH

RADIOKUNST - KUNSTRADIO










Triumph der Farben

by Oswald Egger with Brigitta Falkner, Franziska Füchsl, Daniela Strigl, Oswald Egger, Händl Klaus, Bodo Hell, Benedikt Ledebur


  • Sound Design: Anna Kuncio, Manuel Radinger und Daniel Bren
  • Assitent Director: Daniela Gassner
  • Director: Iris Drögekamp
  • Production: ORF Kunstradio / SWR 2019




  • Does what twirls, more colorful than colorful, play up something? And does a herd of colors, whose call names pointillate, in swarms of forming spots and dots, drift and overplay?

    Like a progressively osculating cloud in the form of words and forms without words, a litter of scatterings and accumulations of self-overwhelmed forward waves. In the chorus or individually forerunning voice connections, which among themselves freely played literally exaggerate and undercut thereby.

    E.g. in the game of Halma, word for word long jump sequences can arise, with which one can cross the whole playing field (or listening field) with a single move (or breath) in a constant change of tones and constellation. The ear is now able to pick up arrangements and in them, beginnings and vowel lines for extended jumping sequences, to connect them with propelling swirls in the word field of semantic yards - into the open.

    Now and then they touch and unite, intertwine with each other here and there, and split up again on their further forward and onward course: Sudden, immediately disintegrating, borrowed meanings disparate.

    Like invoked gods of the moment, color designations and their splintering as a litany of phenomena, painted out, faded away, liquidated: even the sporadic pairs of colorings and names, with hunches and assumptions, acclaim the triumph of colors in the appeal of a silent agreement, often in clack-loud interjection, alternately skipping over sentences, often doubling them.

    Strands of vocabulary, interweavings, groups of accumulations, and manifold combinations of unconventional, pictorial, exemplary sequences of color tones: as a string of pearls of images, whose interweavings of tones are not consecutive, but more multisyllabic, more exuberant. In turn, the voices each have a turn (explicitly, in order to silently silver). A single expression, one sentence statement, as a world of its own according to form, as a world in the world that passes between the words and the silences and pauses.

    Let alone the colors illuminate themselves pronouncedly, ephemerally, from apart spontaneous names in And-less breathing, tone in tone resonating listening rooms of an undulating, inner geometry of the processes, which know how to imagine what is not said: word for word is gradually all in all a picture.


  • Links:
  • Erstsendung Kunstradio
  • SWR Hörspiel
  • Triumph der Farben erschienen im Lilienfeld Verlag