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The work:
The work is indifferent, and it is forceful, and were one to think about
it visually it has a relative evenness and thickness like a cross-section
of the ground, or an expanse of water. Art that matters to me is unmanageably
separate from me and it is clearly itself: a visual, aural, physical
monologue; a defined interminable action. There is the art like any
phenomenon, and there is the witness that is affected; no exchange occurs
between the two-thus respective to my work, once it is made I end up
being just as separate from it, just as much the audience to it, as
anyone able and choosing to get near it.
Available or Forthcoming:
lll - STAALPLAAT/bake records (Amsterdam)
llllll - Banned Productions (Los Angeles)
lllllll - Bremsstrahlung (San Diego) [1/2 of a double CD release with
Toshiya Tsunoda]
Ludmila Faulk (Lowercase Sound compilation) - Bremsstrahlung (San Diego)
Henryk Lees (45 Seconds Of compilation) - Simballrec Records (Los Angeles)
Marinsk Proul (Gazette compilation) - Los Angeles Free Music Society
“During the hour of 12 am, the end of a pier. Ships, anglers” (1 min.
vac. compilation) - Arron Ximm (SF)
Performance no. 1 [with Ilya Monosov] (gallery . . . compilation) -
Matt Wand (UK)
The Constable - 5, 3, 70 - contents in a box commissioned by Ilya Monosov
CK.JR.IM - self-titled collaboration, Kunstradio (Austria) broadcast
llll - in the 16 mm film “Yves” by C. Radam (Filmfestival der Filmakademie
Wein 2003)
An art book of writings (34.5 x 29.5 cm, bound in gray cloth), a facsimile
of a visual writing in a quarterly journal published in connection with
Bowling Green State University (Ohio). Photographs, described as "quiet,
un-alluding, with the aesthetic drama of abstract formalism," have been
exhibited in galleries on the west coast of the US (San Diego, Los Angeles,
San Francisco). Sound performances have gone on in the same cities.
CK (2003)
Kunstradio Sendungen:
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